Andre Catanese

Catanese’s lush paintings recall the kudzu-laden landscapes of their upbringing in Virginia. Interested in how contemporary ideas of gender, race, and sexuality are deeply rooted in the death of the commons and privatization of land, Catanese’s paintings transform discarded landscapes into green spaces where plants and animals flourish. Catanese’s swirling compositions articulate their complex relationship to the American South and bring nuance to constructions of the self.

Andrew catanese

“The paintings pull from studies made in 2023 and 2024. The work began while visiting Georgia in 2023, while at an art opening at a friend’s gallery in South Atlanta. Next to the art center there was a towering mountain of garbage in a landfill. But you would never know, because every inch was covered in kudzu and other fast-growing plants that live in the South.” 

"I've been interested in the idea of discarded places...where wild animals and plants flourish."

From the Mount, Oil and watercolor on canvas, 66 x 42 inches
Golden Weaver, Oil on canvas, 45 x 60.5 inches
Occupying a complex place in the Southern imagination—nostalgia, hatred, utility—the maligned kudzu vine has become a symbol for many Southerners who feel disenfranchised. Originally imported for decorative gardening, its rapid and unmitigated spread has made it an onerous invasive in the popular imaginary. Kudzu, though, is extremely functional; every single part of the plant is edible. In their work Catanese reclaims this “undesirable” plant as a symbol for the magic tenacity of nature.
The Sea Raven's Byway (Diptych, 2024), Oil and watercolor on canvas, 72 x 60 inches

Catanese’s most recent body of work focuses on social interactions between land and people. Their paintings feature disregarded elements of landscapes such as drainage ditches, landfills, abandoned farms, buried oil pipelines, and other infrastructure, which become places of refuge and proxies for marginalized people and identities.

According to Catanese, “the paintings focus on the transportive feeling these places have and their ability to remind us we are a part of the natural world.”

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Andrew Catanese