Annie Duncan makes large-scale still lifes—both in the form of acrylic paintings and ceramic sculptures. Working directly from life, she creates alluring compositions that evoke the pile on top of a dresser, the emptied contents of a purse, or the chaos on the floor of a bedroom. In these saturated and distorted works, she explores the power of objects as symbols and storytelling devices. In traditional still life painting, elements like flowers or shells are used as allusions to the female body. She explores these symbols and pairs them with more contemporary references—objects like a plastic razor, an IUD, accessories, or beauty products—that encapsulate aspirational ideals of gender, femininity, and sexuality. In scaling up the objects, she emphasizes their cultural and personal significance, reframing their historical value.